Theory VI

Applied Metaphysics and Logic: Part II

The Machine.


The Takeover:--


The machine appeared
In the distance, singing to itself
Of money. Its song was the web
They were caught in, men and women
Together. The villages were as flies
to be sucked empty. God secreted
A tear. Enough, enough
He commanded, but the machine
Looked at him and went on singing.

[R.S.Thomas / 1972].


In the Beginning was the Word. It had magic, mystery, sacredness; and in the hour of darkness it was the guardian of the Word who was consulted: priest, poet, prophet.
That was once upon a time, the time of a God whose language and symbols are no longer second nature to us. It was another space, another country. Now we dwell within a land made over by the Machine, a land where the centre is without shadows. This centre is the floodlit 24-hour City of Enlightenment: a City without secrets; without doors, walls, or reticences; a City where all irregular happenings are called problems, and these are soluble via Expert Information and the Internet. Many in our generation are glad to forget, glad to put down the burden laid upon them by the Ancient Greeks and Hebrews, that burden of acceptance of the obligations of mind and spirit. And these many, who have chosen the Fleshpots of Egypt, are likewise glad to have found their Quisling, who acts as spokesman, giving them the phrases with which to articulate and justify their truncated humanity. For these evasive simplifiers there has been framed, from within the ideology of Affluent Barbarism, their very own self-despising definition of Man, expounded by the Apostle of the Gene, Richard Dawkins, from his Professorial Chair in one of the most prestigious of the Ivory Towers :-

We are survival machines -- robot vehicles blindly programmed to preserve the selfish molecules known as genes.

The takeover by the Machine, the peak of the assault, occurred at the time of the factories: the hiss of steam; the regular thud, thud of giant presses; the slap of endless belts driving the dumb cogs and tireless camshafts; and everywhere coal dust, grease and grime. Some of these earlier mechanical tools are still with us, more streamlined now, and clean; others have been displaced by turbines, spinning at enormous speed, softly humming in the background. Material power is present in concentrations greater than ever, but the focus lies elsewhere: having arrived, the Machine is no longer brash and obtrusive; it proclaims itself in different guise. Ours is the Era of the Electron, and in the front line the Explorers in their Laboratories. They don't go anywhere -- their travel is in the mind -- and what they discover we can't see, but painstakingly and cleverly they learn how to constrain these elemental invisibles moving at such inhuman speeds, and invent ways of putting them to work within the cunningest gadgets. Across every continent -- a half circle East of Greenwich, a half circle West -- always the ubiquitous illuminated screens, mediating the Message of the Microchip: Science is Salvation; Technology is Truth.

The hill farms have been abandoned, written off, sight unseen, by urban money men; drystone walls dilapidate, grass grows over ancient paths, and high hedges merge with woods, blurring outlines of the tiny hard-won fields. Occasionally a week-end rambler comes upon an isolated ruined cottage, pushes through a splintered door into the little kitchen, and stands for a time contemplating a cup without a handle, a broken shepherd's crook, the silent pathos of his own peasant past.

Down on the lowlands agribusiness rules, with cost-effectiveness the only criterion. The driver manoeuvres the huge, gleaming combine harvester, equipped with searchlight, two-way radio. Time is money: he works throughout the night, protected from what's left of Nature in his air-conditioned cabin. He is no rustic: headphones ensure he's always hip, in tune with city ways.

The message is that magic is fraud; there are no mysteries, and nothing is sacred. Mystery was merely pretence, a technique of manipulative obfuscation devised by Priests to gull the simple. And the Sacred, as Anthropologists of Authority have shown, was no more than a Stone Age delusion.
For the weak minded, the old fashioned and mis-educated, those who claim to have what they quaintly call 'Spiritual Needs', there are modern resources: the Good News Bible, say, less damaging than that archaic King James version. And doors are firmly shut against reactionaries and élitists who splutter about the past, about ritual and tradition; shut against those who claim to be repelled by what they call the bureaucratic prose of modern texts.

Away with them; Homer and Isaiah are long since gone to dust. Instead there is the repetitious rise and fall, the regular rhythm, unrelated to content, of the words of the Newsreader, hired to sell his soul by pretending concern over prefabricated tendentious dramas of events -- in reality always fragmentary in evidence; usually obscure; and sometimes simply invented -- proclaimed as having happened half a world away.
Along with this the self-important pomposities of Organisation men, Experts and Wielders of Power: managers, financiers, scientists, engineers, politicians. To complete the assault on every dimension of the aesthetic sense there is the mindless drivel of Celebs, Heroes of the People: footballers, pop singers, film stars.

*****

Chronicle:--

How did it come about? What were the origins; what were the stages of this vast continuing transformation?

The human race evolved over millions of years, with each sense, capability, instinct and behaviour shaped within the natural environment. Body is made to wake at cockcrow and light of day, not to sound of alarm clock and glow of electric filament. Feet are made to walk on earth and grass, not on asphalt and concrete; legs are made to run and run in the wild excitement of the chase, not to stand and shuffle in a check-out queue; eyes are made to note the subtle shades of leaf and bark, to con the clouds for weather or scan a ridge for alien approach, not to attend throughout the day to the transient symbols and commands of a VDU.


Tools.

It began with hand tools. They are old, very old, coeval with man. Mind, language, tools develop concurrently, each tool the materialized potential of a specific kind of action. They evolve, become more effective, iron replacing stone in axe head, spear point, knife blade; and where once was a single species there will be diversification according to use and craft: not just a hammer but now a claw hammer, club hammer, sledgehammer, bricklayer's hammer, engineer's hammer.

A hand tool is not self-moving, not a substitute for a man. Without him it is inert, mere possibility; in use it becomes an extension, a magnifier, a facilitator in its own characteristic way. A tool, like a hand, is versatile -- a knife will sharpen a pencil or carve a crucifix -- and takes on the skill of the user, from clumsy beginner to master craftsman.

Not only skill, but also intention and feeling. A knife is for severing, separating into two parts -- but can serve also as a dagger. In the days of commitment and passion, when people used to fall in love, and when amongst the girls of every village there was sure to be a Carmen, the fine-tempered workshop knife could be secreted by some poor fool maddened by jealousy, and used that night for stabbing a tormenting, faithless mistress.

With hand tools the rhythms are those of the natural world: time is measured by reference to creatures and plants, with magnitudes in accordance: the small unit the second; the large unit the year. One or two seconds measures a breath, a footstep, a heartbeat, the turn of a dance step, the recurring beat of a tune. A year measures the time between the delicate green unfolding of the oak leaf and the stark pattern of branches against the grey winter sky. In between the second and the year is the day, which relates to the human cycle of waking and sleeping. These are medium size chunks of time. In the old world nothing happened either very fast or very slowly, and the appropriate qualities were the virtues of the craftsman: patience, far-sightedness, attentiveness, humility. These medium size time units -- human and natural, and the same ones serving for both private and public use -- were good enough for the early crude machines, but not now.

Many parts of the world of the Machine are no longer closely tied in with the human domain, and large areas of this world are not accessible to our unmodified senses. Outside the home, in our public spaces, we have gone beyond the metrics invented by the Sumerians and Babylonians several thousands of years ago. Now we use the metrics of modern European Science. It is true that for purposes of theory and exact manipulation the elegant perfections and esoteric symbols of European mathematics do suffice to measure the stretches of time -- ranging from the very small to the very large -- characteristic of modern physics. But we have no everyday homely words, no words with human associations, to describe these stretches of time, to describe the brevity of an atomic oscillation or the slow decay of a galaxy; by their very nature these periods of time are literally unimaginable. As yet there has been found no way to truly incorporate these discoveries. For the time being we are hesitant, unsure; we have come to feel like foreigners in this Universe we are called upon to inhabit.


Utility.

Hand tools and Machines are two Species of the Genus Tool. They are useful entities: usefulness is their reason for being. We can define the Genus roughly, as follows:--
Definition:-- a tool is a material embodiment of utility, a practical means to an end.
A carpenter's handsaw is a piece of sheet steel, roughly oblong, with a handle at one end. It has sharpened triangular saw-teeth regularly spaced along one edge. It is designed for making longitudinal cuts in planks of wood.
Being designed for the human hand, all handsaws are much the same size, and are pushed and pulled at much the same speed: one or two strokes per second.
The corresponding machine, the electric-powered saw, has, as its two main parts, a circular saw blade -- which may be up to several feet in diameter -- and an electric motor, to transmit the force. The power is considerable: the blade may spin as fast as 100 revolutions per second.

A hand held pen is used for writing: i.e. for making short marks on paper up to about one half of an inch long. These marks are both straight and curved, and are often joined up to make words. To write a short word takes about one second.
A mechanical printing press, churning out whole sheets, might well print many thousands of words per second.


Modernity.

There have been two great cultural changes, two major transformations of the human race. The first change inaugurated the Agricultural Era. It was pioneered many thousands of years ago, especially in a few of the big river valleys of our planet. The second change inaugurated the Industrial Era. It was pioneered in England in the late 18th Century.

Machines are the distinctive artefacts of modernity, the Industrial Era. They are not old; they are latecomers. Not old, but certainly prolific; there are millions of them now. The ubiquity of machines -- this would be the manifest contrast between our age and the past. Outdoors not the clop of horses' hooves but instead the noise of motor car, aeroplane, railway; indoors not the quietly simmering kettle on the stove but the sound of refrigerator, coffee grinder, vacuum cleaner, central heating motor.

Machines are obtrusive and demanding; it is their needs which have governed the recent reshaping of our planet. Below ground are the cables and tubes which carry nutriment for the different mechanical species; above ground rail tracks and motorways, cutting through ancient forest and field, facilitate their passage. And everywhere the increasingly abstract linear landscape, the empty simplicity of the right angle, that infallible sign of the Machine: grids, squares, rectangular arrays; boxes, blocks, modules.

The large changes began a couple of hundred years back and have accelerated in our time. There was always some resistance. In the nineteenth century Luddites amongst the handcraft workers, fearful for their jobs. Amongst the intellectuals and artists the slogan of 'Back to Nature': beards and sandals, Arts and Crafts, 'Three acres and a cow', and prophecies of doom. But nowhere was this resistance intelligent or coordinated; the attractions of the Machine were too great -- especially its promise of a guaranteed food supply. Its roots were too deep, its appeal too diverse and seductive for the many.

In the twentieth century the Machine consolidated its hold. All large human groups of our planet are now Machine Societies; could not live without the Machine, and celebrate it in its various manifestations. For several decades the dominant manifestation was the Motor Car, an instrument of speed and visual change, controlled movement as an end in itself. In many Hollywood films the Car Chase was the pivotal episode. This was the era of Mechanisation of Space and Perception: Dynamic Space by means of the Motor Car, and Static Space with the architects' skyscrapers and tower blocks. Cars are still with us, but for many they are now no more than objects of convenience; with familiarity the glamour has faded, and the tedium of traffic jams has negated the sense of freedom.

The Motor Car has been succeeded by Television, Computer, Music Player; the Mechanisation of Perception and Outer Space has been followed by the Mechanisation of Mind and the Inner World.


Differentiae.

There is the Genus: Tool.
There are the two Species: Hand Tool; Machine.

There is the Genus: Culture.
There are the two Species: Agricultural Society; Industrial Society.

I shall be maintaining that there is, not quite an exact correspondence, but a close parallelism between the two sets of Differentiae. So that an analysis of the differences between a Hand Tool and a Machine will illuminate profoundly some of the differences between Agricultural Society and Industrial Society; will make clear, and sometimes obvious, what would otherwise appear puzzling; will tell us something about where we came from, where we are at, and what options are available to us for the way ahead.

A tool is useful for something -- it is a means. There is purpose, intention, an end. In practice there are normally several linked intentions, each one serving as a means for the next. Scissors are a means. I intend to cut a string, and do so. But my cutting of the string is not an end in itself. (That would be caprice -- a kind of play, a long way from utility). I cut the string so that I can undo a parcel. This is my penultimate purpose, my ultimate one being to get at what is in the parcel.

With a hand tool there is a looseness, a freedom -- I can hold the scissors in several ways, and cut the string in different places, without deviating from my intention. And along with freedom goes unpredictability; looking at the scissors says little about how they will be used at any time.

Utility -- means to an end -- is as old as the hills; it antedates human tools. The elephant manifests it when he uses his trunk for squirting water; the cat when he licks a paw to groom himself. However, elephant and cat manifest much more than this: utility has nothing to do with the stately magnificence of the elephant, nor is it relevant to the grace of the cat in all his movements. A tool, on the other hand, is not like this: it is an analytic, abstract object: utility defines it completely. A tool is a self-contained minimalist embodiment of utility -- no more, but also no less.

Next consider a lock with its key: together they constitute a device, with an inbuilt purpose -- that of changing the state of a container from open to closed. This kind of device is useful, but it is not quite a hand tool, neither as a whole nor in any of its parts. In some ways it's more like a piece of furniture. Nor is it a machine, although it has some of the same narrowness and precision of function.

Think of the key turning in the lock. There is still no machine, but it is now clear why not: the default state is inertia instead of internal self-activation, and there are just two fixed states of this inertia, instead of continual cyclic repetition.

The lock and key evolved from much simpler entities. A piece of string -- a pattern of woven strands -- is a connector, a versatile and valuable object, which can be used for holding shut a door or a lid. There is no key. And the burglar, the social primitive, he also dispenses with a key: instead he too uses a kind of 'string', one which holds its shape, this time made out of wire, to pick the lock to gain entry. Comparison of the procedure of the burglar, the social primitive, with that of the householder, the civilized man, using a key, shows the main difference -- a shift of action from inner to outer, from a location of activity inside a person to outside, to an external object, a thing -- and shows also both gain and loss. The gain: in the procedure itself, in ease and speed and simplicity; it needs no skill to quickly turn a key. The loss: to the person, in capacity for mental concentration, visual imagination and manual dexterity; in the ability to hold a picture of the mechanism steadily in mind while transforming picture and mechanism in parallel. Extrapolate from this; distribute this kind of loss throughout a society, and it is not surprising to find nowadays many who cannot multiply 6 and 9 without the help of a calculator; to find others, brought up from infancy on near continuous television, incapable of more than momentary attention, unable to concentrate, or to remember more than simplicities from one day to the next; and therefore unteachable, the muscles of the mind undeveloped, permanently stunted for want of exercise and encouragement during the critical early years.

Enough of discursive illustration. I'll now list the sets of characteristics, the Differentiae: DT1, DT2; DC1, DC2. The listings cover the main points; they are not meant to be exhaustive, and some of the items overlap.

*****

Analysis I: Tools:--

Collectively tools constitute a sub-system, of operational artefacts, within the larger system, the Culture as a whole. Hand Tools are ubiquitous within the overall Cultural System known as Agricultural Society; Machines are ubiquitous within the overall Cultural System known as Industrial Society.

DT1: Hand Tool.

------

DT2: Machine.

As far as possible I'll list this second set of Differentiae in the same order as the first. Many of the capabilities of the Machine are familiar, having been reached by modifying earlier Hand Tool activities. But some capabilities are new, are not derived from earlier acitvities.
[A vacuum cleaner provides a simple example of novelty. 'Vacuum cleaner' is a catchy sales name, but it's not really accurate; it's a gross exaggeration. More correctly, the device should be called a pressure differential cleaner. The purpose is not new: to remove miscellaneous bits of material resting upon a dry floor surface; to make the floor 'clean', as we say. Formerly we used brooms. Not the purpose, then, but the method -- creating a pressure differential -- is new. We, our bodies alone, are not well suited to the task of removing dirt by creating and sustaining a large difference of air pressure; but a high speed electric motor can do that job very well.]

*****

Analysis II: Cultures:--

A Culture is a densely interconnected system, with causal influences and dependencies going back and forth in all directions. The Tool System -- the Sub-System concerned with Material Operations-- needs must be in harmony with the overall Cultural System.
[Example:-- Muscular strength, and manual dexterity, are widely distributed in an Agricultural (Hand Tool) Culture. Up until quite recently bags of cement weighed one hundred weight (112 lbs -- quite heavy). Many men could lift them easily, and could also use a shovel fairly well. Upbringing has changed. Nowadays one can count upon neither muscular strength nor manual dexterity: bags of cement now weigh only about half a hundred weight, and most men are clumsy with a shovel; it is painful to watch. They are happy only when the electric-powered cement mixer takes over.]

This next Section will consider the relation between the Tool System and some of the other Sub-Systems -- Political, Artistic, etc. -- of the overall Culture. The subject is vast; I'll give only some selected, minimal analyses, with a few illustrations.


DC1: Agricultural Society.

------

DC2: Industrial Society.

*****

Appendix

Statutory Instrument 2004

The Scallop Fishing Order 2004



SEA FISHERIES, ENGLAND

CONSERVATION OF SEA FISH

The Scallop Fishing Order 2004

Made------------------------8th January 2004
Laid before Parliament------9th January 2004
Coming into force-----------1st February 2004

The Secretary of State for Environment, Food and Rural Affairs, in exercise of the powers conferred by section 1 of the Sea Fish (Conservation) Act 1967[1], and now vested in her, and she and the Secretary of State concerned with the sea fishing industry in Northern Ireland, in exercise of the powers conferred by sections 3, 15(3) and 20(1) of that Act, and now vested in them[2], make the following Order:

... ...

General restriction on scallop dredges
3. - (1) No British fishing boat shall carry or tow a scallop dredge within relevant British fishery limits unless that dredge meets all of the following criteria -

(a) its frame does not exceed 85 centimetres in width in any part;

(b) it includes a functioning, operational and moveable spring loaded tooth bar and a belly bar;

(c) it does not contain any attachments to the rear, top or inside of the dredge;

(d) it does not contain a diving plate or any other similar device; and

(e) the total weight of the dredge including all fittings does not exceed 150 kilogrammes.

(2) The prohibition in paragraph (1) does not apply to a fishing boat which does not retain any scallops on board and is -

(a) in an area which is a production area for the purpose of the Food Safety (Fishery Products and Live Shellfish) (Hygiene) Regulations 1998[6]; or

(b) on a voyage in which it only fishes for and retains on board seed mussel for relaying into such a production area.

(3) In this article, belly rings, as described in article 4, and the fastenings which attach them to each other and to the frame do not count as attachments, and 'tooth bar' and 'belly bar' have the same meanings as in that article.

Specification of scallop dredges

4. - (1) No British fishing boat shall carry or tow a scallop dredge within relevant British fishery limits unless the dredge conforms to all of the following specifications -

(a) where the dredge measures 80 centimetres or more in breadth, it shall not have -

(i) more than 8 rows of belly rings hanging from the belly bar;

(ii) more than 9 teeth on the tooth bar, where either -

(aa) the fishing boat in question is not in the relevant area; or

(bb) all of the teeth measure 12 millimetres or less;

(iii) more than 8 teeth on the tooth bar, where -

(aa) the fishing boat in question is in the relevant area; and

(bb) any of the teeth measure more than 12 millimetres;

(b) where the dredge measures less than 80 centimetres in breadth, it shall not have -

(i) more than 6 rows of belly rings hanging from the belly bar; or

(ii) more than 6 teeth on the tooth bar;

(c) it shall not contain more than 1 row of belly rings hanging from either side of the dredge perpendicular to the rings which hang from the belly bar;

(d) each tooth on the tooth bar shall not measure more than -

(i) 22 millimetres where the dredge measures 80 centimetres or more in breadth; or

(ii) 12 millimetres where the dredge measures less than 80 centimetres in breadth.

(2) In this article -

(a) a row of belly rings is a line of single interconnecting rings, where the ring at one end of the line hangs either from the belly bar or from the main structure of the dredge perpendicular to the belly bar;

(b) a belly bar is the bar attached to the frame of the dredge which runs parallel to the tooth bar and from which most of the belly rings ultimately hang;

(c) a tooth bar is the bar to which are attached teeth, the ends of which point downwards and are dragged along the sea bed when the dredge is towed;

(d) the size of a tooth shall be its maximum width measured in the direction of the line of the tooth bar;

(e) "the relevant area" means the part of ICES division VII a which is north of the line 52° 30' N, and all of ICES division VII d.

Restriction on number of scallop dredges 5. No British fishing boat shall, at any one time, tow more than 8 scallop dredges on each side of the boat when within relevant British fishery limits in the sea adjacent to the United Kingdom out to a line drawn 6 nautical miles from baselines.

Carriage of undersized scallops

6. For the purposes of section 1(3) of the Act, the minimum size for scallops that may be carried by a British fishing boat in ICES division VII d is 110 millimetres.

Measurement of scallops

7. For the purposes of article 6, the size of a scallop shall measured in accordance with paragraph 6 of Annex XIII to Council Regulation (EC) No 850/98 for the conservation of fishery resources through technical measures for the protection of juvenile marine organisms[7] as last amended by Council Regulation (EC) No 973/2001[8].

[Comment: Below we get to enforcement, to the heart of the matter.]

Powers of British sea-fishery officers

8. - (1) For the purposes of enforcing this Order or any equivalent order, a British sea fishery officer may exercise the powers conferred by this article in relation to -

(a) any relevant British fishing boat wherever it may be; and

(b) any other British fishing boat which is within relevant British fishery limits.

(2) He may go on board the boat, with or without persons assigned to assist him in his duties, and for that purpose may require the boat to stop and do anything else which will facilitate the boarding of the boat.

(3) He may require the attendance of the master and other persons on board the boat and may make any examination and inquiry which appears to him to be necessary for the purpose of enforcing this Order or any equivalent order as read with the Act and, in particular -

(a) may examine any fish on the boat and the equipment of the boat, including the fishing gear, and require persons on board the boat to do anything which appears to him to be necessary for facilitating the examination; and

(b) may require any person on board the boat to produce any document relating to the boat, to its fishing operations or other operations ancillary thereto or to the persons on board which is in his custody or possession and may take copies of any such document;

(c) for the purpose of ascertaining whether the master, owner or charterer of the boat has committed an offence under the Act as read with this Order, may search the boat for any such document and may require any person on board the boat to do anything which appears to him to be necessary for facilitating the search;

(d) where the boat is one in relation to which he has reason to suspect that such an offence has been committed, may seize and detain any such document produced to him or found on board for the purpose of enabling the document to be used as evidence in proceedings for the offence;

but nothing in sub-paragraph (d) shall permit any document required by law to be carried on board the boat to be seized and detained except while the boat is detained in a port.

(4) Where it appears to a British sea-fishery officer that a contravention of any provision of this Order has at any time taken place, he may -

(a) require the master of the boat in relation to which the contravention took place to take, or himself take, the boat and its crew to the port which appears to him to be the nearest convenient port; and

(b) detain or require the master to detain the boat in the port;

and where such an officer detains or requires the detention of a boat he shall serve on the master a notice in writing stating that the boat will be or is required to be detained until the notice is withdrawn by the service on the master of a further notice in writing signed by a British sea-fishery officer.

...

Ben Bradshaw
Parliamentary Under Secretary of State, Department for Environment, Food and Rural Affairs

7th January 2004

Paul Murphy
Secretary of State for Northern Ireland

8th January 2004





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